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May 23, 2005

SLEUTH

SLEUTH DVD

YOUR MAY 2005 RMC LITE RESULTS ARE IN!
This was our first RMC LITE, meaning, no pizza, no Preshow Entertainment- just a movie and snacks, if you wanted to bring any.

Oh, and there's a new rule for RMC LITE. Everyone who attends must, at sometime or another, bring a rock star with them. Today, Janet brought Todd Rundgren. As many of you know, I am a pretty big fan of Todd's. After all the time and money I've spent on him, he made good by coming over. I'm not the starstruck person I used to be (I think I may actually mature soon), but I must admit, there were a few times during the movie I thought one of the most absurd lines ever- Todd Rundgren is on my couch and we're watching SLEUTH.

SLEUTH stars Sir Laurence Olivier (HAMLET) and Michael Caine (JAWS: THE REVENGE). Clocking in at 2 hours 18 minutes (we can veto movies over 2:20), they apparently haven't shaved much from the original stage play by Peter Shaffer's (EQUUS) twin brother Anthony.

A delightful movie, SLEUTH's actors get to revel in some of the most charming wordplay (and gunplay) on film, ranging from comedic moments to suspense. It's a lot of mind games, as we spend the entire time trying to guess who's messing with who (or whom, as Larry O. would say...and so should everyone). Not flashy like THE GAME, and not ZONE-y like M. Night, just smart dialogue and staging, laid nicely on a blanket of conceits. And the characters go through some wonderful emotional peaks and valleys, often within seconds.

Like the last RMC movie we saw, THE HUSTLER, I couldn't help but wonder how they would screw it up today. They'd probably cast it with Ben Affleck and Ice Cube. Also, like THE HUSTLER, two of SLEUTH's actors and the director (Joseph Mankiewicz...his last film as a director) were nominated for Academy Awards. And IMDb has it as best movie #26 for mysteries.

Telling you much more might ruin, or at very least dampen some of the twists, so I best keep mum lest I slight you. That said, not all the ruses work. Yet it's still satisfying till the last drop. I've seen SLEUTH almost* four times now, and it never loses its charm.

*The first time I saw it was in the theaters in '72. My friend and I didn't realize it was so long, and we were getting a ride home from his mom. We had to leave 5 minutes before it ended. I'm still reeling over that. Imagine leaving THE SIXTH SENSE five minutes before it ends? We should have let the bitch wait.

May 05, 2005

THE HUSTLER

Jackie Gleason & Paul Newman

YOUR MAY 2005 RMC RESULTS ARE IN!

The movie selected was FLASHDANCE. When I went to cue it up in the other room, it wasn't on the tape. So we had to choose again. This happened once before with THE WINDOW. What we did then was a few months later, we had a double feature of THE WINDOW, then the pizza and the Preshow Entertainment, and then the Random Movie. I think we'll do that again. So look for a double feature of FLASHDANCE and a Random Movie at an upcoming RMC.

The Preshow Entertainment was an episode of a TV show called THE CHRONICLE. This was a program on the SciFi Channel from 2001. I'm not 100% sure what the premise is. We didn't see that much of it due to the FLASHDANCE situation. However, RMCer David knew a bit about the show, which is apparently about a newspaper like the WEEKLY WORLD NEWS and its reporters who deal with paranormal stories, that are true(?).

Tonight's episode: THE STEPFORD CHEERLEADERS. A cheerleader, fighting off a football player's physical advances, does one of those, "Are you SURE you won't stop?" things. Cut to the next morning, when a goth kid is lighting up a cigarette when he notices blood dripping. He looks up to see the football player dangling from the goalpost (he's not dead, as he is in school the next day). This leads our late 20s reporters to go back to high school to go undercover.

We had this show because my TiVo records anything with cheerleaders. It came that way. I swear.

The second movie selected, and the one we watched starred Paul Newman as Fast Eddie Felson. No, it wasn't THE COLOR OF MONEY. In fact, after watching THE HUSTLER, it made me never even want to think of THE COLOR OF MONEY.

I cannot begin to think of how they would fuck this movie up if they did a remake today. I could just see Rob Cohen (XXX, THE FAST AND THE FUROIUS) shooting it fast and furious, with lots of cuts and loud Techno. The polar opposite, perhaps to a fault, is ROBERT ROSSEN'S THE HUSTLER, a mood piece that unfolds in proportion with its main character. It's the story of a man who has to beat his demons, manifested in part by Minnesota Fats (Jackie Gleason). It's classic storytelling-how far can a man be brought down before he picks himself up again (physically, mentally, or both) and changes.

Set in the world of pool, which is already a seedy and dimly-lit venue ( "Looks more like a morgue to me. Those tables are the slabs they lay the stiffs on."), it starts with Fast Eddie, a hustler, doing just that on some saps. That's the prologue to the bigger stake. Finding Fats and challenging him to a game of pool.

It's an amazing game. But Eddie won't quit, even when he's ahead. He's not stopping until Fats says it's over. And therein begins the series of events that lead to Eddie's unraveling.

Along his journey, he meets Sarah, played by Carrie White's mom Piper Laurie, a rich (something about an ex) woman already further down the Loser Food Chain than Eddie. They even meet in a bus station, a place that normally takes you somewhere, and neither is waiting for a bus. They're stuck in life.

But you know who's really great? George C. Scott as Bert Gordon (not the guy who makes the giant ants, monsters, and men films, as well as personal fave PICTURE MOMMY DEAD). Scott plays a manager, and if ever the word "manager" was synonymous with "devil," it is here.

Was anyone nominated for Oscars, you wonder? Paul Newman, Jackie Gleason, George C. Scott, Piper Laurie, Robert Rossen (both for direction and script).

You won't find car crashes in THE HUSTLER. In fact, the only thing that crashes is Felson's will. He's a great film character, one with hell bent conviction and backwards priorities.

Again, by today's standards, this film is sloooooooooooooow. I found myself, who loves movies that take their time, thinking "get on with it." I can only guess we've all been re-programmed (or programmed, depending on your age) by the fast pace of movies these days. That said, THE HUSTLER is a superb film, and one that should be seen by all. Just don't watch it after RUN LOLA RUN.

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